On
Yom Kippur, we were “Knockin' on Heaven's Door” in the hopes that with
all the difficulties we are experiencing, “The Times They Are A-Changin’.”
The
above sentiments are song titles of Shabsi Zisel ben Avraham, better known as Bob
Dylan. I enjoy – and am even moved – by some of Dylan’s songs. He is also pretty
cool and mysterious. He’s an enigma. Dylan’s religious odyssey makes for an
interesting story, and he’s one of the few rock icons who had his son’s Bar
Mitzvah at the Kotel and played Hava Nagila on the harmonica on a Chabad
telethon. His son-in-law, musician Peter Himmleman, is an observant Jew.
Dylan,
who won the Nobel Prize for Literature in 2016, is unique in that his songs have
been analyzed for the deeper meaning of the lyrics. Professors of literature
dissected Dylan’s imagery and significance in ways which they have never done
with George Gershwin or Irving Berlin. People search for biblical, religious,
and even mystical allusions. No doubt they can be found if the seeker uses their
imagination. Whether they were intended by the author is another matter.
This
week’s parsha, Ha’azinu, is a song which contains depth, meaning, and beauty.
וַיָּבֹא מֹשֶׁה וַיְדַבֵּר אֶת כָּל דִּבְרֵי הַשִּׁירָה
הַזֹּאת בְּאָזְנֵי הָעָם הוּא וְהוֹשֵׁעַ בִּן נוּן:
Moshe
came, together with Hosea son of Nun, and recited all the words of this song
in the ears of the people. (Devarim 32:44).
What
exactly is THIS song?
On a
simple level, the song is the parsha. Ha’azinu is an enigmatic song. It
describes the ups and downs of the Jewish experience. One the one hand, Jews
are special and are admonished to follow God. On the other hand, there will be difficult
patches. It is like a song that has a rough edge – like punk rock. You like the
beat, but some of the lyrics can rub you the wrong way.
On a
deeper level, the whole Torah is a song. Songs are an amalgam of lyrics
and music. Some songs have lyrics that would qualify as a good poem without the
music and some songs have music that would be just as good with no words at
all. Yet when there is a combination of quality lyrics with good music, both
aspects are enhanced.
The
Torah is a multi-faceted, complex song. It is much more than a narrative or a
book of laws. There are rhyme, rhythm, and poetry. The Torah contains a rich
tapestry that is full of life, meaning, energy, and inspiration.
The Talmud
(Megillah 32a) teaches that one is censured for reading the Torah without a
melody or studying Mishnah without a tune. It is not only when the Torah is
read publicly that there is musical cantillation. Enter any study hall and you
will hear the traditional sounds of students exchanging ideas through the
medium of melody. We sing the song of Torah all the time.
The
Torah ends with a song because Moshe knew that music ensures the future of the
Jewish people. It is the song which will enable the message of God to endure
for all the generations to come. Rabbi Jonathan Sacks captures the power of
song: Music speaks to something
deeper than the mind. It speaks to the soul.
Rabbi
Ally Ehrman, an educator in Israel, shares a story he heard from a Yeshivat
Hakotel alumnus.
A Yeshivat
Hakotel student’s parents lived in Israel and hosted their son’s entire class
for a Shiur Shabbaton. The only "rule" was that each student had to
give a d'var Torah at some point over Shabbat.
At Seudah Shlishit, the last student to present was older than the
others in the group. He said that, instead of a dvar Torah, he wanted to tell
his story.
I
grew up in what is often described as an ultra-Orthodox community and attended
a prestigious yeshiva. I had a bad experience with some of my teachers and
began to question my religious lifestyle. I left the community and much of my
observance. I headed to the West Coast and ended up in Venice Beach California,
a far cry from where I came from.
Late
one Friday night, I was wandering aimlessly on the beach when a tune in the
distance caught my ear, and it sounded strangely familiar to me. It was the
niggun, “Dovid melech, melech Yisroel…siman, siman tov…mazal, mazal tov..”
You
can imagine my shock when I discovered that the mystery singer was a
non-Jewish, homeless, African-American man sitting on the beach. I asked him
how he knew that tune. He explained that, years earlier, he had met a Rabbi by
the name of Shlomo Carlebach. This rabbi was nice to him and would give him a
few dollars and spend some time with him and sing a little to cheer him up. It
worked and the tunes stuck.
I
didn't know much about Reb Shlomo at the time, but I did recognize the niggunim
and was touched by this man's story. I decided that I would visit my new
homeless friend and sing with him. This got me thinking about the way of life I
left behind, and the rest is history…
Needless
to say - everyone in the room was SHOCKED... and inspired. The power of a song.
This
Shabbat, we sing the song of the Torah, of Jewish life. Life
is a song. Just as we each play different roles, we hear the music differently.
Similarly, there are lots of instruments, notes, lyrics, and sounds. Sometimes,
they are all in harmony, and sometimes, things are out of tune. Whether you
like Bob Dylan or Shlomo Carlebach or Fill in the Blank, there is so much
beautiful music to be heard in our lives and in our Judaism.
The
answers my friends are not “Blowin’ in the Wind,” but meaning can
be found by listening to the music. We must try to listen to the song of
celebration, the beautiful music of everyday life, the song of family and friends,
the song of those in need, and the song of Torah and Judaism.
Let’s
conclude paraphrasing Shabsi Zisel ben Avraham’s “Forever Young:”
May
God bless and keep us always. May our wishes all come true. May we always do
for others and let others do for you. May we always be courageous, stand
upright and be strong. And may our song always be sung.
And,
with Sukkot approaching, let us NOT experience “A Hard Rain’s A-Gonna Fall.”